Dau. Katya Tanya 〈2027〉
DAU is a remarkable project that has been pushing the boundaries of art and cinema for over a decade. At its heart are Katya and Tanya, two talented women who have become the faces of this innovative project. Through their performances, Katya and Tanya have brought DAU to life, offering a glimpse into a world that is both familiar and strange.
In the sprawling, controversial, and almost mythologically complex universe of DAU , director Ilya Khrzhanovsky’s $10 million-plus immersive art project turned film series, one entry stands apart for its raw, painful intimacy. While the larger DAU project is known for its totalitarian set design, its blurring of reality and performance, and its alleged psychological manipulation, the film (originally released as part of the DAU cinema cycle) cuts through the avant-garde noise with a scalpel. It is not about Soviet physics, state security, or grand ideological metaphors. It is about two women, one apartment, and a slow-motion car crash of dependency, love, and destruction. DAU. Katya Tanya
If you're prepared for a cinematic experience that's as intense as it is thought-provoking, then DAU. Katya Tanya is an absolute must-see. Be warned, though: this film doesn't shy away from the harsh realities of Soviet life, and some scenes may be disturbing to sensitive viewers. DAU is a remarkable project that has been
The inciting incident is banal: The scientist/husband leaves for a conference. Or does he? He simply disappears into the DAU universe’s other rooms, abandoning Katya to her demons. It is about two women, one apartment, and
As one of the few entries in the DAU cycle to pass the for LGBTQ+ visibility, the film is frequently analyzed for its depiction of non-normative love in a totalitarian state.


















